Writing about Real People you Know and Love

We’ve all done it. We’ve been writing away, and suddenly that hilarious turn of phrase that your grandmother uses every Christmas Day pops into your head. It’s funny, it’s endearing, and it would be perfect coming out of the mouth of one of your characters. But is it allowed, using our nearest and dearest as the basis of our characters?

It’s something that my darling fiance (bless him) thought about when we first started dating. He only told me this quite recently. Apparently, as soon as he found out that I wrote, he seriously had to consider whether he would be alright with certain elements of our personal life appearing in my work. Thankfully, he decided that he could live with it – although certain aspects are obviously off-limits. But have I based some of the loving cares and concerns that my characters do on his actions? You bet. Has he noticed? I’m not sure yet…

There’s also the opposite path – writing about people that you dislike! What revenge could be sweeter than immortalising that horrible person you know by using them as a basis for the enemy of your hero…you know, the one that gets pounded into the ground at the end.

Of course, there must be people that I love – whether I’m related to them, or they are some of my closest friends – that probably haven’t even thought about it. I’m sure the majority of them would be astounded if they knew I had smiled at some of their jokes…and then used them within my book. Or noticed a way that a female friend pushed her hair behind her ears, a habit which I have definitely included in a character.

And it wasn’t until a new friend asked me how I envisioned my protagonists that I admitted to her (without naming names) that whenever I wrote my first book, I tried to imagine it, with a very close friend playing my female protagonist. Does this close friend know that I tried out dialogue through her lips? No. Would I ever tell her? Definitely not.

Why is this? I’m not ashamed to use my friends and family in this way…am I? After all, the majority of what I write comes from my medieval historical research, and my imagination. Perhaps it’s because I’m afraid of being accused of ‘cheating’ by other authors – does it count as my own work if I’ve kind of borrowed it from my brother?

Films and books now include a phrase similar to the title of this post. But can we as authors ever truly write a book without any influence from our nearest and dearest? I challenge any author to say that they’ve never been inspired by someone they met once, or saw across the train, or had breakfast with.

Because the way I see it, everything I do and everyone I meet ends up, one way or another, in my work. And I hope my friends and family wouldn’t have it any other way…

Does this sound familiar? Or do you write in a completely different way? Let me know below in the comments.

A Real Advance In My Career!

So, for those of you who have already read my series on author royalties, I have exciting news for you! If you haven’t yet read my four part blog series that opens up and unwraps the secrets behind how authors get paid for their novels, then check it out first, and then come back.

I received confirmation of my first advance today.

It is difficult to take in! My wonderful publishers asked me a week ago to consider writing a special one off Christmas novella for them – which I obviously said yes to. Christmas is such a marvellous time of year, for family, friends, and great new reads. I would love to have people curl up under a rug this Christmas 2015 and read a story which really makes them smile, and I am already really exciting about writing it.

However, as I have already written two novels and a novella for my publishers, I thought that now was the time that I should ask for an advance. For those that are not aware, an advance is a sum of money that a publisher pays an author for a future work. This money can be paid either as soon as they agree that a particular work will be written, or on delivery of the manuscript. Then when copies of the book start to sell, the royalties are deducted from the advance.

My advance for this novella is £50, which means that if my novella sells for £1.99 (which I think it will), I will have to sell 126 before I ‘earn out’, or bring in enough to cover the £50 advance. After that, I start to get paid royalties again.

Admittedly, £50 is not a huge amount of money – but to me, it is an absolute gold mine. Not only will that £50 be very handy, but it shows that my publishers have faith in me that I will sell at least 126 copies of my book, if not more. That may not seem like very much, but two years ago I was completely unpublished.

Some authors who are well-known with a huge fan base can expect to receive advances closer to £3000, and while I definitely want to get there someday, today is one step towards that, and a very definite step at that.

I look forward to sharing my experiences writing this Christmas novella, and I hope that you will all want to read it when it comes out Christmas 2015! But if you can’t wait that long, and you just have to have some Emily Murdoch novels in your life, fear not. You can buy Conquests: Hearts Rule Kingdoms: 1, Love Letters: 2 (Conquests), and Captives: Hearts Rule Kingdoms: 3 (Conquests) – or get all three for a cheaper price if you buy Conquered Hearts: The Collection.

Struggling to Write Second Book

I know this post may sound a little strange, and I know it is definitely a first world problem, but it’s something that I’ve been struggling with for a while, so I thought I’d share it: I am really struggling to write a second book.

I know that sounds mental: it’s supposed to be the first book that’s difficult! And for many people it is, but I found that my first book Conquests almost flowed out of me. It was a story that I knew inside out, and I really wanted to tell it. And so I did – it only took me about three months, although getting it published was another matter. But once it was done, there, put on paper, it didn’t feel difficult.

But the sequel?

My word, it’s like drawing blood from a stone. Just like my first book, Conquests: Hearts Rule Kingdoms, I knew exactly what I wanted to do, exactly where my characters are going…and yet they aren’t getting there.

I think partly it’s because I’m terrified that I won’t be able to match the success that I’ve had with my first book. From here, the only way should really be up…but what if my readers don’t like it as much? What if they hate it? What if my family hate it, and they start to disown me because it’s just too terrible to be associated with?

I’m also in such a different place than I was when I wrote my first book, almost two years ago. Then, I was just about to graduate with a BA in History and English, and had days and days of nothingness in which I could write. Now I’m working two internships whilst planning my wedding and a move to the other side of the world (New Zealand). Empty days are a distant memory.

But if I’m serious about being a writer (which I am), and if I want to end up writing about three books a year (which I do), then surely I’m going to have to get used to this? After all, life isn’t going to slow down just because I have another chapter deadline. Life doesn’t stop after the wedding and the move – I’ll have a husband to look after, a house to keep, and a social life to create. “Time to write” isn’t going to drop into my lap.

So here’s the challenge to myself – and you, if you’re struggling to find time to finish that first, second, or fifteenth novel. Divide it into chunks, and allot rewards. For every chapter, a chocolate bar. For every character development, another episode of The Big Bang Theory. For every completed novel, a weekend break away.

Whatever it takes to keep you writing, chipping away at the word count and killing off that antagonist, find it and use it.